In order for any work of art—for
example, a film, a novel, a poem, or a song—to have merit, it must be
understandable to most people.
Write a response in which you discuss
the extent to which you agree or disagree with the statement and explain your
reasoning for the position you take. In developing and supporting your
position, you should consider ways in which the statement might or might not
hold true and explain how these considerations shape your position.
If it is true that some art depends
for its success and its appeal on the inability of most people to understand
its message, then not all works of art must be understandable to most people in
order to have merit. The work of famous,
successful artists such as Jackson Pollock depend partially on communicating an
inaccessible inner truth. Therefore, not
all works of art must be understandable to most people in order to have
merit.
If understandability is not the sole
criterion for measuring the success of works of art, then what is? According to philosophical hermeneutics,
breakdowns in meaning, and understandability are key components of the
enrichment of human experience, feeling, and thought. When such breakdowns occur, they challenge
the individual human meaning maker to create their own perspective, and develop
their own truth. It is, therefore, core
to these theories of human experience and interpretation that art, rather than
communicate an understandable truth, function as an inconceivable boundary,
placing limits on the preconceived understandings of most people, and forcing
them to grow as human beings.
One objection to this line of
reasoning might be that “merit” is here being misconstrued, and that the
function of novels, films, poetry, and songs are being romanticized. The line of reasoning continues, for a work
of art to have “merit”, most people must be able to relate to the work. But, just because someone can relate to a
work of art, doesn’t mean it has “merit”.
“Merit” is here left undefined, and dependent on further analysis. It is, therefore, on the onus of the
objectors to repeal the original argument that the function of art is to bring
people, regardless of its understandability, to a closer understanding of
themselves as meaning makers.
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